Welcome 

I kindly invite you to go on a journey through my Website and Blog.

These pages are about humans and their myriad [spiritual] relationships with places, spaces and – in particular –natural and cultural landscapes.
About their immensely inventive ways to live their lives in everchanging environments,
highlighting their creative and diverse responses to the gigantic challenges of contemporary society.

Within the conceptual framework of my lifelong anthropologic research, [eco-spirituality] is conceived as a non-institutionalized, phenomenological experience by people in relation to certain locations and events within the space/time continuum. However ephemerous and visceral this experience may be, [eco-spirituality] goes, nevertheless, hand in glove with materiality; that’s why there are stories about material culture with, within and through the land (-scape) here as well. You can find on this site an array of texts, photographs, drawings, sound recordings covering parts of the multitude of human interactions with nature, through the medium of the land (-scape).

By researching foodways, spiritual experiences and lifeworlds, space/place conjunctures, key-rituals, the build environment, material culture production (‘art included’) and community responses to external socio-political and economical pressure, various domains of the intertwinement of human societies with their environment are explored. Basically, human’ s bond with the universe is investigated through their external expressions of a visceral, phenomenological state of beeing -a universally human ‘inner spirituality’ so to speak- in relation to a particular place and it’s landscape. My experimental (audio-) visual anthropological research can be situated on the intersection of classic themes within the field such as: the Culture/Nature intersection, City/Countryside divide, Beliefsystems, Foodways and -rituals, Indigeneity, Human-Ecology, the aftermath of colonialism and challenges of decolonisation (to name but a few).

This research highlights the human experience in a Meta-Modern world and translates in an (audio-) visual and textual way different facets of the diversity in human lifeways through their sociocultural responses to a transforming Blue Planet in the challenging era of the Anthropocene. Despite people’s ferocious ‘active’ lives (always busy with working, travelling, commodifying, enjoying, designing, etc.) in an age of globalisation, hyper-commodification, superdiversity and -mobility, the visceral/ phenomenological sensation with a space/place configuration, where and whenever, stays paramount in human existence.

So one could say that people are in a way the place they live in, the land and the environment moulding their lifeways up to a certain degree. These interactions have repercussions on the land itself thus creating a circular movement of interdependency and (occasionally) symbiosis between man and nature. Its this theoretical assumption with its contradictions and tensions that marks the startingpoint of my research-journey.

Enjoy your stay on this site and delve into but a tiny sample of the vast ocean that human cultural diversity is.

Jo Massin
[Experimental] Visual Anthropologist

Biography

As a Brussels’ s based Visual Anthropologist, Jo Massin [Belgium, 1973] already as a child (as he later in his life re-discovered) developed an interest in natural and cultural landscapes, human sociocultural diversity, mythologies and spirituality with its key-rituals and symbolisms as well as the interaction of humans with and within the natural and build environment. In his approach he focuses on the intersections between all these aforementioned elements. During his ethnographic fieldwork as a student (MSc) in Social and Cultural Anthropology at KU Leuven University (2017/2020 -Belgium & Japan) he emerged totally into (audio-visual) experimental fieldwork and an already existing profound passion for photography resulted in an growing focus on the visual through photographic practice within his anthropologic research activities (2020 onwards). His favoured ethnographic tools are, besides classic ethnographic writing, visual (still photography, drawing) and auditive explorations [inspired by Steve Feld’s ‘acoustemology’ (1992)] of human relationships with their environment.

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